Best quotes by Alexandre Desplat on Music
Checkout quotes by Alexandre Desplat on Music
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‟ The first thing is, you can't write movie music if you don't know how to write quickly.
- Alexandre Desplat
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‟ I wanted to be a film composer because I heard scores that could stand alone, from 'Vertigo' to 'Star Wars' to 'La Dolce Vita,' because this music has so much history. They're weighed with the history of music. They come from somewhere, they have a past.
- Alexandre Desplat
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‟ We will always hear the vibrations of Ennio's music and feel it in our hearts.
- Alexandre Desplat
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‟ The main difference I'd say is that European cinema has always used less music than American cinema for historical reasons.
- Alexandre Desplat
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‟ I've been very lucky early on to be surrounded when I was a child by music from various countries. My parents would listen to a lot of music coming from other universes.
- Alexandre Desplat
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‟ I've always been a film lover - that's why I've always wanted to write music for films.
- Alexandre Desplat
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‟ Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
- Alexandre Desplat
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‟ Some films that I love, I love them also because of the music. 'Vertigo,' for example, is a movie where the music is doing 70 percent of the job.
- Alexandre Desplat
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‟ When you work on animation, the music has a great task: to create a sound and melodies and mood and atmosphere and energy dedicated to these extraordinary characters.
- Alexandre Desplat
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‟ Music has to deal with silence. Music has to deal with time.
- Alexandre Desplat
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‟ That's the main lesson I've learned from working in the theater: respect the dramaturgy. I don't want to overwhelm everything with music.
- Alexandre Desplat
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‟ If I wanted an open space, I could do a documentary about fishes. Then I would have an open space to play my music. That's not how I visualize the work I'm doing.
- Alexandre Desplat
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‟ As a child brought up in Paris, I dreamed of America, that lost world my parents had left behind - it was in my genes. Plus, American music has always been close to my own aesthetic, because of the mix of symphonic music with jazz.
- Alexandre Desplat
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‟ Music is never inherently funny!
- Alexandre Desplat
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‟ Well I never play back my music, just so you know, it's there sitting in my drawers and what I remember is that, what I can say is that there are steps, you know, moments in my life where I know that one score was a new chapter. I can say that 'Read My Lips,' by Jacques Audiard, 'Sur Mes Levres' was a chapter.
- Alexandre Desplat
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‟ The goal is to make the music really a part of the skin of the film, and not be detached.
- Alexandre Desplat
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‟ Some directors can become concerned when it comes to music, because it's the end of the process and they're tired. They're worried that the music will intrude or waste something, that a composer will overwhelm the story.
- Alexandre Desplat
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‟ I lived in the Caribbean when I was a teenager, so I learned about Salsa and Cha-Cha and all these Latin Afro-Cuban music like Gillespie and Duke Ellington, also bridged with Jazz. But my mother is Greek, and so I've also listened a lot to Greek music. And through the years to Balcanic music to Arabic music because my father loved music from Egypt.
- Alexandre Desplat
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‟ I've loved Japanese culture for a long, long time, from doing martial arts, to the block prints, to the music. It's a country that I love, and a culture that I love.
- Alexandre Desplat
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‟ It was quite frightening to be asked to write the music of a Western because there are so many things that you can refer to that can be cliche, and that could really poison your mind, from Morricone, to Bernstein, to Neil Young. So much music has been written for Westerns, that you wonder how you're going to find a new or different idea.
- Alexandre Desplat